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<channel>
	<title>Tim Hawkins Animation</title>
	<link>https://hawkinspostproduction.com</link>
	<description>Tim Hawkins Animation</description>
	<pubDate>Tue, 27 May 2025 16:01:29 +0000</pubDate>
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	<language>en</language>
	
		
	<item>
		<title>index</title>
				
		<link>https://hawkinspostproduction.com/index</link>

		<pubDate>Thu, 24 Apr 2025 13:47:14 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/index</guid>

		<description></description>
		
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	<item>
		<title>Animation Reel</title>
				
		<link>https://hawkinspostproduction.com/Animation-Reel</link>

		<pubDate>Thu, 24 Apr 2025 13:47:15 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/Animation-Reel</guid>

		<description>
	Animation Reel
	
	




	
	

	A little taster of some of the things I’ve enjoyed working on recently.
All of the projects included my reel were animated by me and many of them were also directed and illustrated by me as well.
If you’d like to learn more about a particular project, they’re all featured on my home page here.

	
</description>
		
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	<item>
		<title>Netflix: Secret Lives of Orangutans</title>
				
		<link>https://hawkinspostproduction.com/Netflix-Secret-Lives-of-Orangutans-1</link>

		<pubDate>Thu, 24 Apr 2025 15:23:54 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/Netflix-Secret-Lives-of-Orangutans-1</guid>

		<description>
	Secret Lives of Orangutans
	
	Netflix
	


	
	

	I was the sole animator on this shadow-puppet-inspired title sequence for the Netflix documentary Secret Lives of Orangutans.
	
	
 Concept and design by the fine folks at Hello Charlie.

	
</description>
		
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	<item>
		<title>Netflix: Ancient Apocalypse - The Americas</title>
				
		<link>https://hawkinspostproduction.com/Netflix-Ancient-Apocalypse-The-Americas</link>

		<pubDate>Tue, 27 May 2025 16:01:29 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/Netflix-Ancient-Apocalypse-The-Americas</guid>

		<description>
	Ancient Apocalypse: Series 2
	
	Netflix
	

	Controversial pseudo-archeologist Graham Hancock explores the death of ancient civilisations in this Netflix series, which also stars Keanu Reeves.Animated content for the second series of the show was produced and directed by Hello Charlie. 


	I worked across a number of the animated sequences in the series that explore apocalypse myths, adding camera movement, transitions, lighting and particle effects to bring the illustrated frames to life.


	

	

	

	This is a highlights reel showing some of my work on the series.The title plate at the end is not by me, but appears with Hello Charlie’s permission.


	I did the animation and compositing across the myths sequences featured in this reel and also some additional tracking and comp work that I’ve not included.&#38;nbsp;
	

	

	

	This is a complete myth sequence, with the sync audio. It tells the story of Kukulkan.
	Many of the myths were cut-up during the editing process, but this one made it to the screen intact.
	
</description>
		
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	<item>
		<title>BBC: Inside Our Minds (Series 2)</title>
				
		<link>https://hawkinspostproduction.com/BBC-Inside-Our-Minds-Series-2</link>

		<pubDate>Tue, 27 May 2025 14:44:37 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/BBC-Inside-Our-Minds-Series-2</guid>

		<description>
	Inside Our Minds: Series 2
	
	BBC
	

	For the second series of the BBC documentary ‘Inside Our Minds’ Chris Packahm expands his exploration of neurodivergence to ADHD and Dyslexia.
	I was the sole VFX artist/animator across three of the four short films that Hello Charlie created for the series.
	

	ADHD - Jo
	
	
	


	

	

	When she was growing up Jo’s father would describe her as a ‘butterfly’.
Her film explores this motif alongside her love of clubbing and dance music.
	I was tasked with creating flocks of butterflies and butterfly wings made of light, as well as kalidoscopic composites of her family photos, which where projected on to Jo.&#38;nbsp;
In addition to these elements I added lasers and smoke elements to augment what had been filmed on location.


	

	Dyslexia - Suiki
	
	

	

	


	Suiki describes the feeling of living with dyslexia as like having thoughts that slip away like fish in a pond.
In her film she goes, like Alice, through the looking glass into a world in which those thoughts become visible.
	I created the transition though the mirror, tracking and keying the footage as well as adding rippling energy fields and particle effects. Within the magical world I worked with 3D renders of the ‘fish’, tracking and compositing them into almost every shot - a challenge as the turnaround time for VFX was 5 days!
	

	ADHD - Henry
	
	

	


	

	In his film, drama student Henry battles ‘The Tombola Man’ - a personification of his ADHD, who constantly distracts him from everyday tasks by throwing new thoughts at him.To reflect the dark, clownish figure of The Tombola Man we chose to depict the thoughts his throws at Henry using a comicbook-esque block type that bounces around the screen.


	
I created a collection of sketchy frame-by-frame animated action lines, pops and flashes that could be used across the film. I also drew directly over some of the more intense shots, picking out individual elements and painting in half-tone textures for a frame or two.
	
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		<title>Disney: Guardians of the Galapagos</title>
				
		<link>https://hawkinspostproduction.com/Disney-Guardians-of-the-Galapagos</link>

		<pubDate>Wed, 07 May 2025 16:01:09 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/Disney-Guardians-of-the-Galapagos</guid>

		<description>
	Guardians of the Galapagos&#38;nbsp; &#38;nbsp; 
	
	Disney+
	


	


	


	Animated
 maps for the behind-the-scenes portion of Disney’s Sealions of the Galapagos.



	NB
 - The camera moves in this reel were created by me to show off the 
artwork and aren't reflective of how they were used in the show.

	

	&#60;img width="4080" height="3072" width_o="4080" height_o="3072" data-src="https://freight.cargo.site/t/original/i/d6fbf57554d65348498fe6bf26328da0f43a118d5af700545ee4594a4fe584b0/PXL_20250507_160740335.jpg" data-mid="233769238" border="0"  src="https://freight.cargo.site/w/1000/i/d6fbf57554d65348498fe6bf26328da0f43a118d5af700545ee4594a4fe584b0/PXL_20250507_160740335.jpg" /&#62;
	&#60;img width="4080" height="3072" width_o="4080" height_o="3072" data-src="https://freight.cargo.site/t/original/i/01e5320b4cf3416a27152285fb389c9129e29ba1cff233e02c7d01414de5d000/PXL_20250507_160719100.jpg" data-mid="233769239" border="0"  src="https://freight.cargo.site/w/1000/i/01e5320b4cf3416a27152285fb389c9129e29ba1cff233e02c7d01414de5d000/PXL_20250507_160719100.jpg" /&#62;
	

	I hand-drew the maps using a 
traditional dip pen and indian ink then added text and compositing 
effects in After Effects.
	

	&#60;img width="540" height="810" width_o="540" height_o="810" data-src="https://freight.cargo.site/t/original/i/7f95d2dc92bf177b83e219de9c1d93cd1e09c78c846b91267c1b823166ac6b84/p_ondisneyplus_disneynature_sealionsofthegalapagos_post_8235a5b1.jpeg" data-mid="232905124" border="0"  src="https://freight.cargo.site/w/540/i/7f95d2dc92bf177b83e219de9c1d93cd1e09c78c846b91267c1b823166ac6b84/p_ondisneyplus_disneynature_sealionsofthegalapagos_post_8235a5b1.jpeg" /&#62;
	
</description>
		
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		<title>BBC: Inside Our Autistic Minds</title>
				
		<link>https://hawkinspostproduction.com/BBC-Inside-Our-Autistic-Minds-1</link>

		<pubDate>Thu, 24 Apr 2025 15:36:43 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/BBC-Inside-Our-Autistic-Minds-1</guid>

		<description>
	Inside Our Autistic Minds: Murray
	
	BBC2
	


	
	


	I was over the moon to be asked by Hello Charlie to work with them on this limited series for BBC Two. 
 
Presented by Chris Packham, the series gives a voice to autistic people, asking them to explain how being autistic effects their lives. This is then distilled down into short films, written by the documentary’s subjects, that use animation, motion graphics and VFX to bring their words to life.

	
	
 I worked across most of the animated sequences in the show, predominantly as a compositor, but also doing some editing, grading and motion graphics. However, the majority of my time was spent on Murray’s film, which I storyboarded and animated, from a concept developed by Hello Charlie and a script written by Murray himself.

	

	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1a05ee4b3c04326b92b25ab1fb48c6e48965bcb70892c243f0d9679b9d0381c6/Murray_020.jpg" data-mid="231510192" border="0"  src="https://freight.cargo.site/w/1000/i/1a05ee4b3c04326b92b25ab1fb48c6e48965bcb70892c243f0d9679b9d0381c6/Murray_020.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/61d0784c0dc8a9929ca767390d1aaef526147e97c229a5440d4fdfb28a837c97/Murray_010.jpg" data-mid="231510191" border="0"  src="https://freight.cargo.site/w/1000/i/61d0784c0dc8a9929ca767390d1aaef526147e97c229a5440d4fdfb28a837c97/Murray_010.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4f3d0bebdb6a845a8648a66a624f5a28d20b07f4af1932fdb8449016f972cdac/Murray_050.jpg" data-mid="231510193" border="0"  src="https://freight.cargo.site/w/1000/i/4f3d0bebdb6a845a8648a66a624f5a28d20b07f4af1932fdb8449016f972cdac/Murray_050.jpg" /&#62;
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	Murray’s film takes place in a paper theatre, which was built and animated in After Effects using a mixture of digital photography and illustration, scanned and stock textures and even some stop-motion origami.  
	I love using a mix of physical and digital media like this as it can really create a sense of physicality that can sometimes be absent in purely digital work.
	
</description>
		
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	<item>
		<title>CBeebies: The Nick Cope Popcast</title>
				
		<link>https://hawkinspostproduction.com/CBeebies-The-Nick-Cope-Popcast</link>

		<pubDate>Thu, 24 Apr 2025 16:04:23 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/CBeebies-The-Nick-Cope-Popcast</guid>

		<description>
	The Nick Cope Popcast
	
	CBeebies
	


	I worked with Complete Control as an animator on all three series of this lovely show for BBC CBeebies.

	Nick Cope’s Popcast takes place in a magical world of music, animals, rainbows and dragons, which are brought to life through a combination of live-action and 2D animation.
	

	

	

	Above is a compilation of some of the shots I enjoyed working on in the third and final series.
	
	

	I was brought on to the first series as a compositor initially, adding bits of live action to the animated songs and animation to the live action sequences. By the end of that series I took on more and more animation duties and on later series’ my role was to take the rough animations and get them to a final, broadcast-ready standard while implementing any changes from the various parties involved.
	My experience as both an editor and an animator was really helpful here as it meant I was able to ensure that the flow of the camera and rhythm of the edit was working, as well as polishing or adding in additional character and background animation.
	

	
	

	The Octopus Song (Series 1)
	
	

	
	

	Little Grey Cloud (Series 1)
	
	

	I have become a dad since the show finished, so I am now happily re-living all the songs and episodes as an audience member.&#38;nbsp;
	
	
</description>
		
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	<item>
		<title>Family Futures: We Foster</title>
				
		<link>https://hawkinspostproduction.com/Family-Futures-We-Foster</link>

		<pubDate>Tue, 27 May 2025 10:45:42 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/Family-Futures-We-Foster</guid>

		<description>
	WeFoster&#38;nbsp;
	
	Family Futures
	


	


	


	I directed and animated this film to promote Family Futures’ new adoption service WeFoster.
Voiceover by Hannah Melbourn.


	Characters were rigged and animated in After Effects using DUIK, with lots of paper textures and drop shadow to give a cutout feel. 

	

	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cc6635abe01b54b4a39ceaab6bb4e54f187ad8a7915d8a110fc3e30ed60cae18/WeFoster020.jpg" data-mid="233770245" border="0"  src="https://freight.cargo.site/w/1000/i/cc6635abe01b54b4a39ceaab6bb4e54f187ad8a7915d8a110fc3e30ed60cae18/WeFoster020.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/01166878ee202bc4026d9615c71bbd8e9275e8da7cb16b79600335e39a07ae81/WeFoster050.jpg" data-mid="233770248" border="0"  src="https://freight.cargo.site/w/1000/i/01166878ee202bc4026d9615c71bbd8e9275e8da7cb16b79600335e39a07ae81/WeFoster050.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/04bc6ad4dddf9275febc3335e4d9c8e8da92bde489eae1ff5390f4d39639fbf3/WeFoster_060.jpg" data-mid="233770249" border="0"  src="https://freight.cargo.site/w/1000/i/04bc6ad4dddf9275febc3335e4d9c8e8da92bde489eae1ff5390f4d39639fbf3/WeFoster_060.jpg" /&#62;

	
</description>
		
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	<item>
		<title>BRITs 2025: The Last Dinner Party</title>
				
		<link>https://hawkinspostproduction.com/BRITs-2025-The-Last-Dinner-Party</link>

		<pubDate>Thu, 24 Apr 2025 15:48:02 +0000</pubDate>

		<dc:creator>Tim Hawkins Animation</dc:creator>

		<guid isPermaLink="true">https://hawkinspostproduction.com/BRITs-2025-The-Last-Dinner-Party</guid>

		<description>
	The Last Dinner Party
	
	BRIT Awards 2025&#38;nbsp;
	


	
	


	I created the multiple-exposure screens content and leaf particle effects at Hello Charlie for this Lynchian BRIT Awards 2025 performance by The Last Dinner Party.

	
	
&#38;nbsp;In addition to the screens for this performance, I also worked on visual development and animation of the awards screens content as well as some editing of the nominations packages.

	

	
	

	&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3ce59f8d9caeb53229352afad28853348fa787219770207dd16403930d5c46e6/JME_1356-scaled.jpg" data-mid="231511060" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3ce59f8d9caeb53229352afad28853348fa787219770207dd16403930d5c46e6/JME_1356-scaled.jpg" /&#62;(Photo by John Marshall)


	
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